Monday 29 November 2010

Epic Rat

We decided in the end that we were going to animate from a rats point of view. So we would be looking through his eyes at his view of the street.

Dominique did a storyboard which can be found at http://www.epicdom.wordpress.com/

With us animating from the rats P.O.V theres a chance we would see his front legs and nose whilst he was walking and running about.

This concept can be seen in the game Mirrors Edge, it is played in first person, the main character, Faith, runs from building to building. we see her arms and legs wen she runs.



The rat is also very small so everything will be bigger to him, a few games have tried this theme, like in Zelda and the Minish Cap, but also I remember a section in a game called OKAMI. Where the main character, Amaterasu, gets "hammered" and shrunk to help save the emperor in the Imperial palace.



Finally whilst talking about our rat climbing and jumping around I couldnt help but think about Assassins Creed. Its got nothing to do with me currently playing Assassins Creed: Brotherhood. Honest ^_^

ahem...anyway, so yeh Assassins Creed came to mind with all the parkour and jumping about the buldings, which was out initial idea.

Tuesday 23 November 2010

Project Brief - From Group Blog

Project Brief
For this project you will be working in teams of four of five students. You will all be working towards a final collaborative short film but will have the opportunity to fulfil clear and separate roles within the team.

- You will be working to create an animated environment
- You will be collaborating with the other animators in your team, but research, and your drawn responses to that research.
- Your research will form the starting point for your work.

This environment will be modelled in 3D, UV mapped, textured, and lit based upon the research of materials, architectural and aesthetic motifs, in order to create a visually consistent and coherent digital environment that will contain animated elements as well as providing an arena to support animation and interaction by characters.

Your environments by virtue of their virtuality are unreal, they will be designed from a starting point of real world research and drawing. You will be expected to provide visual and contextual evidence to support the development of your designs. This research will consist of practical site visits such as the drawing trips to London based venues and associated drawing and photography, as well as academic research via the web and the LRC.

This environment must demonstrate integral animation, it could be mechanical such as machinery, doors, windows, windmills etc, or it could be more organic, and atmospheric, such as the effects of wind on plants, weather conditions, etc. It could be a much more long term animation to show the effect of years passing, rather than minutes. For those of you who can focus upon contextualising the designed environment by populating it with characters using that environment, it may be that the environment is being used in an unintended or unexpected way that has evolved through public interaction with the space.

Animations- Changes over time
- Changes in weather or lighting
- Changes in use of the environment

Visual Aesthetic- A historical period
- An artistic movement
- A geographic or cultural idiom

Blogged design journal is needed.

Things to focus on

-Understand how lighting and colour affect the appearance and mood of an environment.
-Reflection upon, and analysis of, individual performance in a group context.
- Analysis and replication of a real environment of implementation of a designed environment using 3D visualisation software.
-Build a computer generated environment, using modelling texturing, lighting and character interaction to a consistent visual aesthetic.
-Contribute successfully to a collaborative visual aesthetic.

Assessment criteria
- Evidence of the identification and analysis of the aspects of colour, shape and light that contribute to the successful simulation of a particular environment.

Colour - Self explanatory. Why are the colours we're using there in the first place? What relevance do they have to the scene. What effects do they have on the environment, as well as the mood and atmosphere of the environment. How will colour help us to convey specific mood changes / atmospheric effects as well as how it could be used to indirectly link symbolism.

- Evidence of reflection on the student’s personal contribution to the project.

GUYS. SPECIFICALLY AS THIS SAYS. ^^^^^^^^^^^^^^^^^^ INDIVIDUAL CONTRIBUTION. MAKE SURE EVERYONE IS AWARE OF WHAT THEY CONTRIBUTE TOWARDS THE GROUP AS IT WILL CONTRIBUTE TOWARDS YOUR FINAL GRADE. BEING SAID, DO NOT TRY TO STEAL OR CLAIM SHARED IDEAS AS ONES OWN. THIS IS AN ASSESSMENT CRITERIA!

- The degree to which the CGI environment represents a successful replication of a real environment or implantation of a designed environment.

How awesome is the final project going to be? We will be sort of replicating a real place so it should have a feel of the place we're going to replicate. How will that actually affect our final outcome? How well is this going to be pulled off? What is the final finished detail of the project going to be?

- The consistency of the styling of the environment.

How correct is the environment that we're making? Remember, no mindfucks. Make sure that all this stuff has / currently exists, or is at the VERY least extremely feasible to create. How well does this fit into the theme of what we're doing?

- The degree to which the lighting of the environment is appropriate.

What is the purpose of light? Both literally and how it affects an environment / mood of a character / environment. How can we use light to correctly convey various viewpoints of the audience? How can we use light to portray a sense of isolation / suspense / power / beauty?

- The degree to which the environment is used to successfully demonstrate appropriate animation.

What is appropriate animation? Simply put, neccessary animation. Why animate anything that the camera is not going to see? Why make a bird do a backflip followed by a running jump if the original intention was for it to just fly away? Random? Yes, but there are contexts for these things. It's all appropriate if it fits with what is required.

Rochester Photos

These photos are from my trip to Rochester with Sarah. Here you can see the long streets with the houses alot closer together than they are today with our roads being much wider.
Here you can see a common example of the top floor of a house coming out further than the bottom. also next to it you can see the very common wooden frames on the white house.

Another angle of the above shot. You can see a tunnel underneath the first house.


This style of house was very common back in the 13th century so our houses will need to have the same theme in order to keep in with the time period.

 Very old stone wall, good for texturing maybe?

Monday 8 November 2010

Fable Concepts




These are some concept works from Fable 2 and Fable 3. Fable 2 is set only 50 years after the events of Fable 2 so the designs for the buildings are similar in style.

They have the same feel to them, the designs vary from town to town in the games, but they still keep the same feel.


Even in Fable there are slums and poverty in the streets, remeniscent of old london streets. Stone bridges over a river, with shacks under the bridge for protection. Rats on the streets. It shows a poor and dirty life.












There were no sewers for a long time in London, people would through their waste into the river Thames. So we will need to incorperate a river into our scene.

Ideas...

We decided Fable was a good starting point as it gave us inspiration for our project as it has a very unique style.

We liked the overall style of the game and more importantly the style of the bulidings. It was quite interesting looking up concept art for the game, quite hard finding usable images though.












This image is one of our favourites, its from a town called Bowerstone in the game. Its from this image we decided we wanted to do a street.

The game that started it all...

So our group decided to do a London street from Medieval times. How did we get to this idea? By playing far too many video games of course!


















Fable III. The newly released game from Lionhead Studios. Most of our team had played it and it became our starting point for this project.

Theres no 'I' in team...

I will be working with, Deon Litchmore, Dominique Koomoshan, Gerome Oldfield, Sarah Strickland and Olivia Walters.

Go! Team Alpha Super Awesome Cool Dynamite Wolf Squadron!!!